Review: Leverage, by Joshua Cohen

Leverage by Joshua C. Cohen

My rating: 4 of 5 stars


This book is as hard-hitting as the steroid-infused, foul-mouthed, warp-minded football players at its center. A very, very intense read that is not for the faint of heart. Although it is marketed as YA, I wouldn't recommend it to anyone under 16 due to the extremely graphic language and violence.

This is one of those books I think all parents should read, though. I was told it was a male version of Speak, but it's much more than that. It is an incredible, intense, heart-stopping book that will make your jaw hit the floor on more than one occasion.

There were a few times when I found a character's actions unbelievable, such as when Ronnie tries to get the boys to talk about his assault. I can't see a boy wanting to talk about such an extreme occurance of bullying, especially with the stigma and shame attached to victims of that sort of attack. However, most of the book was perfect, and although at times it was a bit predictible, it was the sort that made you HAVE to keep reading to see if you are right. You will think you know what's going to happen, but you won't be 100% sure and you won't be able to stop yourself from finding out for sure. Once you start this book, you won't be able to not finish it. And you'll be glad you did--the ending is so, so, so completely perfect that it leaves you smiling despite all the horrible things that happen to the characters throughout the book.



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2014 Book Cover Trends in Contemporary YA

While surveying a list of upcoming contemporary YA  releases, I noticed some interesting trends. Gone are the girls with hair across the face (so 2013 y’all).  Since I’ve yet to read even a single contemporary YA released in 2014, I can’t tell you the popular topics (except romance, always). 

But here are some trends I gleaned while scrolling through hundreds of book covers. 

1. Maps, maps, maps. Whether we’re trying to go somewhere, or to leave somewhere, we need a map. I’m guessing we’ll see some road trip books.
2. Hearts. Maybe this never went away. But a ton of contemporary YA features hearts this year. Love.
3. Stars. Not the kindergarten-drawing type, but the glinting ones with purple galaxies around them (see Across the Universe if you don't know what I mean). This is a trend in YA lately, not just book covers. Books about space and aliens seem to be gaining popularity lately. Seems to be popular for titles too (The Fault in Our Stars, etc)
4.  Kisses. Yowza, it looked like the romance novel section of the library where I was embarrassed to go with my older sister when I was that age. Now, it’s all over YA covers. Most are a tad more tasteful than romance novel covers. (Found more than a few upside down kisses, too…thanks, Spiderman).
5. Threesomes. Not that kind, you perv. I’m hoping this isn’t indicative of a surge in love triangles, since I’m sick to death of those. But lots of YA covers this year have moved from the single face, to the kiss, and beyond. Crossing my fingers it signals an increase in friendship novels.
6. Cursive. Titles (whole or single words within the title) are turning to cursive just as schools are turning away. Will young people be able to read this strange new font? Lol…  
7.  Last but not least…there is always a random object that seems to pop up on covers, even when it has little to do with the book. And…this year’s random-object winner is…the dandelion! I know, it’s nothing new. But its popularity has only grown this year. Look for lots of dandelion fluff on covers this year.

Have you spotted any trends I failed to mention? Feel free to share!

One of my favorite authors talks about getting published

I just wanted to send some attention towards Sara Zarr, an edgy YA writer who published her first novel 5 years ago. I've reviewed a couple of her books here on my blog, so I was excited to hear she's posting 5 blogs about her experience writing Story of a Girl.

Her Blog is here.

Review Wednesday: How to Save a Life, by Sara Zarr

How to Save a Life by Sara Zarr

My rating: 3 of 5 stars


Okay. I've calmed down from my disappointment at the ending, and I am ready to give my review. First, though--when did they put a girl on the cover? In my ARC copy, the benches are empty!



My review...well, I read Story of a Girl a while back and just fell in swooning love with it, and consequently, its author. But...I was so bummed that this one wasn't as good!



I love the author because she is very simple in her writing style. That's still here in this book. So are the FOR REAL characters. You feel like you know them. They are awesome. They are your friends. They talk like real people, act like real people, are screwed up. They've got issues. I like reading about issues. In this book, one of the issues is something that's on my gag list--child molesting. So that was a little ick for me. It's not very graphic, though, unlike some other YA books that are just too much for me. I put the book aside for a few days once I got some pretty strong hints about that aspect, but I picked it back up and finished most of it in a day. It's a quick read, and the heavy issues are there, but they aren't rammed down your throat in a vomit-inducing kind of way. I like that. Subtle is the name of the game in good YA. YA that is graphic just for the shock factor really makes me mad. It's almost like the authors are just trying to get on a banned-books list, or to shock kids by telling them in graphic detail about stuff that, honestly, kids should not know about. Not in that much detail. ANYWAY, sorry for the rant. The point is, this book sidesteps the graphic while giving you all the impact of the issue.

The next thing I just loved about this book was the relationship between Jill and her father. So wonderful, and real, and OMG--he didn't even molest her! Sometimes I think YA authors want us to think that all fathers are secretly pedophiles. Jill's father is dead, but awesome. However, Mandy's stepfather is...something. Not a pedophile exactly, since she's 17 or 18 when the abuse takes place. And she has mixed feelings about it, so...anyway. Her mom's boyfriend molests her, and she takes it because she never gets attention from her mom or anyone else. Mandy is...psychotic. Like, hilariously crazy. That made it a little more bearable to read, because there was some relief from the squig factor.

I read a few reviews that said they didn't like either of the narrators. I loved Jill. She was so real, so pissed, so flawed. It was harder for me to like Mandy. She was sort of...bland. And the way they suddenly became friends seemed, well, sudden. The guys--I think I have a book-crush on Dylan. I LOVED him. Why didn't HE get a happy ending?

What I didn't like about this book: the ending. Predictable, and kind of lame. Honestly, I'm severely disappointed. Sara Zarr is an author who tackles real subjects with bravery and delicacy. I expect so much more than the ending I got. It was completely unrealistic, and way too happy. I'm all for a happy ending, but not if it doesn't fit the material. That's how this one seemed. Sure, I'd like everything to end up shiny happy in real life. But the point is, it doesn't. Mandy never had to pay for any of her mistakes. Sometimes that happens. But not in the way it happens in this book. I just got to the end and said, "WHATEVER! That would NEVER happen." It was a major letdown.



character: yay! plot: meh. ending: boo.



Recommended for YA readers who like lots of character development and not a lot of action.



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Book Review: Speak, by Laurie Halse Anderson

Speak by Laurie Halse Anderson
My rating: 4 of 5 stars

4.5 stars, actually, but I have to click on a whole star.

This is an awesome book! I go through stages where I read one or two young adult books that are so badly written that I start thinking I’m too old for YA books, that they are all trite and cliché and all have the same characters with the same issues, the same stock scenes, and the same ‘problems.’ And then I read a book like Speak.

I’ve noticed that some adult books deal with difficult situations and issues in a way that’s so graphic it makes me feel sick. But young adult books, the good ones anyway, deal with tough issues in a delicate way. Anderson leaves no doubt in the readers mind about what happened to Melinda, but she doesn’t shove it down your throat and make you gag. The ability to deal with disturbing situations without graphic detail is one of the things that makes YA literature so great. At least in the hands of a writer as talented as Anderson. The graphic violence in adult books sometimes is such a turn-off that it makes the scene comic. Leaving things mostly to the reader’s imagination can make the scene even more powerful than giving all the gory details.

I’d seen the movie Speak a while back, so I already knew going into the book what it was about. So I thought the mysteriousness over what happened to Melinda might get on my nerves. But Anderson is a good enough writer that it didn’t bother me more than a little. I did, however, think it would have been better if she’d let the reader know why Melinda was so screwed up a little earlier—maybe at the one-third mark instead of the two-thirds mark. The only other thing I didn’t like about the book was Melinda’s sudden decision to speak out. It just happened too fast and without a catalyst. I thought something should have happened to make her break her silence. Instead, she suddenly just thinks that it’s spring, and everything is coming to light, so she’ll do the same thing. I just don’t think teenagers pay that much attention to things like that—especially teenagers as screwed up as Melinda.

The most surprising thing about the book to me was the author’s ability to write humorously about such a dark issue. The book could have been a depressing story about a girl with no friends, full of guilt and going crazy inside her head. Instead, it managed to find humor while never making light of the situation. The author’s ability to make a reader laugh on one page and tear up on the next is truly a gift. If Melinda had whined about her situation (and she had every reason to), the book might have gotten tiresome. But she has such a strong, funny voice that you can’t help but love her. She never plays the victim, even though she was one.

This was an amazing read for me. It should be require reading for all teenagers, male and female.


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I swear I don't work for Sara Zarr...

But...she is amazing. I recommend her book to any and all who will listen. I'd say I'm her #1 fan if it wasn't totally creepy to say that...but it is...so I'll just say she gets a lot of free publicity from me. And she deserves it, because I'm in love with her voice.

Story of a Girl by Sara Zarr
My rating: 4 of 5 stars

Well, I actually listened to this book on CD, and that might have made me like it more than reading it would have. The audio narrator (I couldnt find the reader, so I assume it's the author?) got the voice so well I was instantly sucked in. Although most of the book's drama takes place before the book starts, I still enjoyed it. The flashbacks were well done. The setting came alive to the point that it was a character in itself. Descriptions were precise and perfect without being lenghty.
I love realistic books, and this is realistic with a razor blade. Sara Zarr doesn's sugar coat anything in this book. It's raw and real and depressing.
The one complaint I had about the book was that the girl, who seems so apathetic at times and claims to hate crying, ends up bawling her eyes out several times. A lot of times, actually, right in a row. She comes across as very unemotional most of the book. Then she's crying about stupid fights with her friends, etc. Fine, if the character is that type of girl. It wasn't believable to me to have her cry more than once, unless something huge happened, which it didnt. In fact, not a lot happens during this book. But that didnt stop it from being a great read and worth every minute. I highly, highly recommend this book to anyone 16 and up. It's very mature for a YA book.

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This book's for you!

So, yesterday I posted a list of reasons why someone might not like my books. Then I thought, that was a little discouraging. I wouldnt want to tell people not to read my books, after all. So I thought I'd make a more positive list today. Here it is. Ten reasons someone might actually want to read my books.

You might want to read my books if:

1. You like getting to know the characters more than a ton of action sequences
2. You don’t mind people who swear, smoke, drink, and otherwise misbehave
3. You like amusing dialogue that makes you squirm a little sometimes
4. You can overlook a lot of character flaws and still like someone
5. You don’t mind a mixed-bag ending or one that’s more hopeful than happy
6. You throw a book against the wall but you’re still likely to pick it up and finish it
7. You can deal with a lot of pop culture references, even if you don’t know them
8. You like smirky guys
9. You can love a character who has absolutely nothing exceptional about her
10. You don’t mind if no one smolders.

Not for me.

I'm a little behind on posting since I had the flu and was out of commission for a while. Here's another post to make up for it. Plus, I find lists are a great way to procrastinate when I should be writing.

When querying, the standard rejection letter can be boiled down to one line, or three little painful words: Not for me. That's the polite way to decline a query letter. So, in honor of rejection letters, here is ten reasons why someone might find that my writing is not for them.

You might NOT want to read my books if:

1. You expect the guy to be all sappy and romantic or metrosexual
2. You want lengthy descriptions of how people look/how hot they are
3. You don’t like the C-word, F-word, or B-word
4. You don’t like the D-word or any other anatomically exact words used to insult someone
5. You have a problem with age disparity in couples
6. You don’t want any of the characters to die
7. You only like books that end shiny and happy for all the characters
8. You don’t like books with sex/people who talk about sex a lot
9. You want someone to hold your hand and explain every sentence
10. You don’t like books with fantastical elements (vampires, clones, psychics, oh my!)