Showing posts with label bereavement. Show all posts
Showing posts with label bereavement. Show all posts

Wednesday, December 28, 2011

Review Wednesday: Rebecca by Daphne du Maurier

Rebecca Rebecca by Daphne du Maurier

My rating: 4 of 5 stars


This book had a lot going on, and yet, somehow, nothing was ever happening. And that pretty much sums up my feelings for the book. Parts of it I loved, and I couldn't stop reading. Then parts of it...not so much. I'd stop reading with no interest in picking it up again. So, it took me almost a month to read this book, and in that time I read 3 or 4 other books.

The beginning of Rebecca was way too much information for me. I don't like books that start at the end, and then jump to the beginning. Mostly because I don't know or care about the characters when I start, so I don't really care about them waxing philosophical about fate and the past, and boring hotels, and wood pigeons, etc. Really, the entire first chapter and part of the second could have been an epilogue. And if it had been an epilogue, it would have been better, because the author could have tied up some of the hundreds of loose ends she left dangling. As it is, as a beginning chapter, she can't give away TOO much (although again, I think she goes overboard with the foreshadowing and basically gives away the ending. When she talks about the empty shell of the house, I immediately knew it had been burned, so the entire book I was expecting the ending. If I hadn't been expecting the ending, the end would have knocked my breath out. I did have a wonderful little shiver at the ending b/c the author builds suspense so well, but it would have had a much greater impact without being foretold from the very beginning.

Okay. Now that we've dealt with the beginning and end, let's talk about the middle stuff--plot, setting, characters, themes, etc. Yep, all that meat.

The setting of Mandalay was well-done, but somehow it didn't keep me interested. I wanted it to be more creepy or something. I'm sure it was described very well, but I must have drifted off during those parts because I hardly remember anything except the outdoor part of the estate--the flowers, trees, azaleas, etc. The Happy Valley. The cottage, the beach...all those are painted vividly in my mind. The house itself did not make an impression.

Although we get to know the inner thoughts and insecurities of our young heroine quite well, it annoyed me that we never learn her name or age. Maybe that's supposed to make us relate to her better (she's nameless, therefore she's me!) but it only annoyed me. Maybe I'm not romantic enough to put myself in her shoes. Also, they make her sound like she's 15 or something, and Mr. de Winter is 42, so it creeped me out a little, especially when he says stuff like "you're young enough to be my daughter...you little fool...be my wife." And I'm not a big fan of romance-novel hero types, so mean/rude/distant/self-absorbed guys really don't do it for me. Mr. de Winter was very much that, a Mr. Rochester type all the way. I eventually warmed up to him, but even then I kept wondering why he's been such an awful husband and ignored his child bride and her insecurities instead of trying to make her feel at home, or welcome, or even wanted. Especially since he's supposed to love her.

The other characters were well-done, and I liked Maxim's sister, she was such a character. So were Ms. Danvers, the cousin (SO well done!), and the aura of Rebecca that lingered, and Frank. I really wanted to know what happened to them all at the end, though. A rather big loose end.

I will say, it was fun learning the mystery of Rebecca and having her story slowly revealed. When Mr. de Winter tells what really happened to her, I have to say it was a shock. I laughed and decided then that I love this book. But there was so much to go, I kept wondering if she'd turn up alive at some point! I didn't really understand why she hated Maxim, though, and it seemed like a huge oversight not to give her a reason. Sure, she thought men were a big joke. But he married her, and let her have affairs, and did pretty much anything she wanted. So why was she swearing she'd take Mandalay from him? She had no reason to need to 'win' or get revenge. Also, I didn't really think Max had reason to kill her. And then the book sort of makes you root for him, so I'm wondering if the message is supposed to be that it's okay to kill your wife if she cheats but it's not okay to divorce her. And then of course Mr. de Winter is kind of a jerk up until he confesses murder, and then he's the nicest gut, loving and passionate and open about EVERYTHING even though he'd had nothing but anger/secrecy before this point. Yes, I know he's relieved his guilty conscience, but I still didn't really think he'd transform that fast.

Overall, this was a wonderful, deliciously twisted book that gave me lots of surprises and had good suspense and mystery once I got past the first half, which really dragged. The second half was exciting and wonderful, and I walked away from it laughing despite the huge holes at the end that leaves almost everything unexplained. Such as, who lit the fire? Mrs. Danvers? I thought she'd already left. And why didn't anyone put it out? Did anyone die? If not, what happened to everyone? Why didn't the de Winters rebuild the house, since the estate wasn't damaged, or it doesnt sound like it. Why are they living their lives in a hotel? Why don't they go back? Why didn't they sell the property instead of letting it go wild? Yeah. I had a lot of questions at the end, but still, when they drive over that hill and Max says, "That's Mandalay," I laughed out loud with the wonderful ending.



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Wednesday, September 28, 2011

Review Wednesday: How to Save a Life, by Sara Zarr

How to Save a LifeHow to Save a Life by Sara Zarr

My rating: 3 of 5 stars


Okay. I've calmed down from my disappointment at the ending, and I am ready to give my review. First, though--when did they put a girl on the cover? In my ARC copy, the benches are empty!



My review...well, I read Story of a Girl a while back and just fell in swooning love with it, and consequently, its author. But...I was so bummed that this one wasn't as good!



I love the author because she is very simple in her writing style. That's still here in this book. So are the FOR REAL characters. You feel like you know them. They are awesome. They are your friends. They talk like real people, act like real people, are screwed up. They've got issues. I like reading about issues. In this book, one of the issues is something that's on my gag list--child molesting. So that was a little ick for me. It's not very graphic, though, unlike some other YA books that are just too much for me. I put the book aside for a few days once I got some pretty strong hints about that aspect, but I picked it back up and finished most of it in a day. It's a quick read, and the heavy issues are there, but they aren't rammed down your throat in a vomit-inducing kind of way. I like that. Subtle is the name of the game in good YA. YA that is graphic just for the shock factor really makes me mad. It's almost like the authors are just trying to get on a banned-books list, or to shock kids by telling them in graphic detail about stuff that, honestly, kids should not know about. Not in that much detail. ANYWAY, sorry for the rant. The point is, this book sidesteps the graphic while giving you all the impact of the issue.

The next thing I just loved about this book was the relationship between Jill and her father. So wonderful, and real, and OMG--he didn't even molest her! Sometimes I think YA authors want us to think that all fathers are secretly pedophiles. Jill's father is dead, but awesome. However, Mandy's stepfather is...something. Not a pedophile exactly, since she's 17 or 18 when the abuse takes place. And she has mixed feelings about it, so...anyway. Her mom's boyfriend molests her, and she takes it because she never gets attention from her mom or anyone else. Mandy is...psychotic. Like, hilariously crazy. That made it a little more bearable to read, because there was some relief from the squig factor.

I read a few reviews that said they didn't like either of the narrators. I loved Jill. She was so real, so pissed, so flawed. It was harder for me to like Mandy. She was sort of...bland. And the way they suddenly became friends seemed, well, sudden. The guys--I think I have a book-crush on Dylan. I LOVED him. Why didn't HE get a happy ending?

What I didn't like about this book: the ending. Predictable, and kind of lame. Honestly, I'm severely disappointed. Sara Zarr is an author who tackles real subjects with bravery and delicacy. I expect so much more than the ending I got. It was completely unrealistic, and way too happy. I'm all for a happy ending, but not if it doesn't fit the material. That's how this one seemed. Sure, I'd like everything to end up shiny happy in real life. But the point is, it doesn't. Mandy never had to pay for any of her mistakes. Sometimes that happens. But not in the way it happens in this book. I just got to the end and said, "WHATEVER! That would NEVER happen." It was a major letdown.



character: yay! plot: meh. ending: boo.



Recommended for YA readers who like lots of character development and not a lot of action.



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