Showing posts with label famous writers. Show all posts
Showing posts with label famous writers. Show all posts

Wednesday, May 14, 2014

Book Review: Sycamore Row by John Grisham

Sycamore Row (Trunk Edition)Sycamore Row by John Grisham

My rating: 4 of 5 stars


3.5 stars

Okay, I admit, this is only my second full John Grisham book (I listened to A Time To Kill last year, but found out later that it was the abridged version). I read A Painted House in college and adored it, but courtroom dramas aren't really my area of interest. I read this for a book club.

I have to say, I really enjoyed it (much more than A Time to Kill). I was glad I'd read the first book about Jake Brigance, but it's not necessary before reading this one, though it is mentioned many times in this book. Anyway, this one was slow-building but it got faster and faster towards the climax, where everything was tied together, even the seemingly random threads from the beginning.

I did have some questions about the logic of certain situations, and there were some extraneous bits that were never explained or elaborated that could have used explanation. And there were a few parts that dragged (jury selection...yawn). But overall, it was really interesting. I loved the characters, and having seen the movie "A Time To Kill" several times, I had all the characters pictured in my mind. Just loved Harry Rex in this one, and kind of want to get the unabridged of A Time To Kill now, just so I can get the whole picture. It wasn't nearly as exciting as this one, where everything is fleshed-out and just much more real.

I especially loved the bits of Southern culture that were so expertly done you might not even notice, like the way they always talk about football before bringing up what they really want to talk about. Being a Southern girl myself, I appreciate authentic Southern authors and the subtle touches they bring to their work.



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Wednesday, January 22, 2014

Accepting or Rejecting Writer Advice

You see it every day, all over Facebook, Pinterest boards, Twitter, and every other electronic forum/social media site: quotes by famous authors on writing. Memes. Funny e-cards. All with an overwhelming amount of advice for the hoards of us struggling through, and a lucky few breezing through, our novels. Every time I read one of these, I think it's a great quote with merit. So what happens when these famous authors begin to contradict one another? Do you choose to follow the advice of the one you admire more? The, "I want to be like him so I'll follow his advice" attitude. If that worked, we'd have many more Hemingways and Twains than we do.

With as many writers as we've had, and even more now, it's inevitable that all the advice won't be in perfect agreement. Writers love giving advice. Nowhere can you find a people more fascinated by our profession than writers. Why? Because it's a mystery. The well-known comparison of novel and baby works here, too. There's nothing a pregnant woman loves talking about more than pregnancy. Why? Because that baby growing inside is like some kind of miracle, some wonderful mystery. So, too, is the novel taking place in the writer's head. The only solution is to seek to explain it somehow, make sense of something that makes very little sense even to those doing it.

As with love, as with motherhood, there is no perfect way to write a novel. There are pantsers and planners. There are those who say, with regards to writing as well as love, "If it's worth working for, you must work for it!" and those who say, "If it don't come easy, you better let it go." To this, I will throw in my own two cents. If it's coming easy, that's a wonderful thing. You are blessed. Don't stop writing for anything. Because one day, it may stop coming so easy. And when it does, you will have to, as Hemingway famously said, "Sit down at the typewriter, and bleed."

I speak from experience here. On several occasions I churned out 50 pages in one day, leaving my brain feeling like a cooked potato. Now, I'm lucky if I can pry 5 pages from my miserly muse. I couldn't tell you what changed for all the money in Mr. Gates's bank account. One day it was easy, and the next thing I knew, it wasn't. I thought this was a phase I would let pass, so I stopped writing fiction for two years. I kept a journal, went back to dabbling in poetry, came up with an idea or two and followed them for the ten or so pages until they turned to ether and vanished. And then, I got tired of waiting for the muse, and I sat down at my computer, and bled.

Yes, it is frustrating. Sometimes my characters refuse to tell me what's going on, so I make something up, and later, they tell me I was wrong, and I have to go back and change their family, their back story, even their names. But there is something on the page. And that's better than nothing. Maybe one day, my Prinspiration will come, scoop me up on the inspiration pony and ride away with me. Until then, I'll struggle to pull my ox out of the mud.

My best advice for writers is this: Don't stop writing. When it's easy, go with it. When it's hard, dig for it. When you finish it and it's amazingly magically perfect, set it aside and come back to it later (if it's a first draft, it's not perfect, I promise). When it's ugly, edit it and rewrite it until it's passable. Then, when you have finished one novel, whatever your process, whatever your product, pick up your proverbial pen and start all over again.

Wednesday, December 14, 2011

Review Wednesday: The Paris Wife, by Paula McLain

The Paris WifeThe Paris Wife by Paula McLain
My rating: 5 of 5 stars

The Paris Wife made me remember why I love historical fiction so much. McLain not only captures the atmosphere, but she does it with striking prose. I was not surprised to learn she'd published a book of poetry prior to this.

I just finished this book and I'm a little overwhelmed by it, but I'll do my best to form coherent thoughts. First of all, I cannot stress enough what an amazing job the author did of capturing the atmosphere of post-war Paris. Not that I was there to experience it, but after reading this book, I feel like I was. Like I walked the streets, participated in the extravagance, the decadence, the debauchery, the fashions and fads of the time, the whiskey and wine, the cigarettes and smoke, the poverty and claustrophobia. The atmosphere of the book itself is enough to make me love it. And the fact that it's about a writer only made me adore it more. It made me want to be there, to throw myself into their world, to smoke and drink and ski and go fishing and fall in love and write a novel. The only thing it did not make me want to do was go to a bullfight, but that's only because I did not enjoy that experience myself. If I'd never been to one, I certainly would want to after reading McLain's novel.

Aside from the atmosphere, McLain also captures the personalities of her characters so well. I felt like I was Hadley while I read it. Her parts were so alive, so aching and beautiful. Hemingway's few sections were also wonderful, confused and tortured and with a quite distinct voice from his wife's. Even though I knew what was coming, I still held on with Hadley and ached for her, cried for her a few times, loved with her. Because who hasn't loved that man who is so wrong for you, but so swooningly right?

There were a few parts where it went so far I just cringed, too horrified to look but unable to stop. Like the part where the other woman gets in bed with them and Hadley just lies there while her husband makes love to his mistress. Also, the part where Hadley loses Ernest's manuscripts. Being a writer myself, it just knocked the breath out of me. That must be every writer's worst nightmare. I was literally gasping to breathe at how terrible it would be, and McLain does a wonderful job showing that, even through the eyes of the wife instead of the writer himself.

Hemingway is captured well, too. I understood his artist mentality very well. McLain takes an age old story (the struggling artist, a nobody, falls in love with another nobody, they get married, she stays in love while he gets famous and becomes somebody, and suddenly, his nobody wife isn't enough for him) and makes it stand out in all its tragedy and romance. This isn't a romance novel, but possibly the most romantic book I've ever read--not only in Hadley and Ernest's love, but in Paris, and the sweeping scope of the novel, the lavishness, the beauty of language and description and location, of each event, each chapter of their love affair. Even their demise is poignant and heartbreaking and messy, but rings with absolute truth.

In the epilogue, when it goes into the history of Ernest's family, I got a bit of a shock. Of course I knew of Hemingway's death, but when I didn't know about the rest of his family. It was so morbid, and tragic, and sad. I'm glad that Hadley lived a long and full life, despite the wild years of drinking and smoking and cavorting around Paris with her artist husband. And glad to learn that she went on to happiness, even if she couldn't help Ernest. Like so many tragic figures, you find that the ones who need help are the ones who refuse it the most vehemently. This novel does paint Hemingway in a very sympathetic light, despite his flaws and shortcomings.


Recommended for: anyone who's ever been in love, been betrayed, or been to Paris.




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